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Crime and Punishment: Pevear & Volokhonsky Translation (Vintage Classics)
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Nominated as one of America’s best-loved novels by PBS’s The Great American ReadWith the same suppleness, energy, and range of voices that won their translation of The Brothers Karamazov the PEN/Book-of-the-Month Club Prize, Pevear and Volokhonsky offer a brilliant translation of Dostoevsky's classic novel that presents a clear insight into this astounding psychological thriller. "The best (translation) currently available"--Washington Post Book World.
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Product details
Series: Vintage Classics
Paperback: 565 pages
Publisher: Vintage; Reprint edition (March 2, 1993)
Language: English
ISBN-10: 0679734503
ISBN-13: 978-0679734505
Product Dimensions:
5.2 x 1.2 x 8 inches
Shipping Weight: 1.5 pounds (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
3,140 customer reviews
Amazon Best Sellers Rank:
#4,754 in Books (See Top 100 in Books)
The two popular translations of ‘Crime and Punishment’ before the 1993 translation by Richard Pevear and Larissa Volokhonsky, were by Constance Garnett and David McDuff. The Pevear/Volokhonsky translation became my favourite – until Oliver Ready’s translation came along. Not knowing a word of Russian, I declare my favourite only by the enjoyment I derived from reading the book in English.Many things may indeed be lost in translation, and many others get misrepresented but we may not know. The result of reading only the English versions is that one’s choice is largely subjective. Compared to the Garnett version, the Pevear/Volokhonsky translation seems very modern – until Ready’s came along. Little things like changing ‘had not’ to ‘hadn’t’ renders Ready’s version not only a little more modern but also more informal. That is not to say that the atmosphere of old Russia is lost. Ready uses ‘fibs’ for ‘lies’ (Pevear/Volokhonsky) in one passage.Ultimately, the reader has to decide for himself which style he enjoys more. Here is a comparison from one of my favourite passages (there are many) from the book. I set out first the Pevear/Volokhonsky version then the Ready version:“What do you think?†Razmumikhin shouted, raising his voice even more. “You think it’s because they’re lying? Nonsense! I like it when people lie! Lying is man’s only privilege over all other organisms. If you lie- you get to the truth! Lying is what makes me a man. Not one truth has ever been reached without lying fourteen times or so, maybe a hundred and fourteen, and that’s honourable in its way; well, but we can’t even lie with our minds! Lie to me, but in your own way, and I’ll kiss you for it. Lying in one’s own way is almost better than telling the truth in someone else’s way; in the first case you’re a man, and in the second – no better than a bird. The truth won’t go away, but life can be nailed shut; there are examples. (Pevear/Volokhonsky)‘Now what are you thinking?’ cried Razumikhin, raising even more. ‘That it’s their lies I can’t stand? Nonsense! I like it when people lie. Telling lies is humanity’s sole privilege over other organism. Keep fibbing and you’ll end up with the truth! I’m only human because I lie. No truth’s ever been discovered without fourteen fibs along the way, if not one hundred and fourteen, and there’s honour in that. But our lies aren’t even our own! Lie to me by all means, but make sure it’s your own, and then I’ll kiss you. After all, lies of your own are almost better than someone else’s truth: in the first case you’re human; in the second you’re just a bird! The truth won’t run away, but life just might – wouldn’t be the first time.Ready’s version has a table of chronological events and a fresh, inspiring introduction that will help the first-time reader understand and appreciate the context of ‘Crime and Punishment’
I do not know what my review can add to the Brothers Karamazov, but I will put in a few of my words. I have now read this book six times through and every time I am simply amazed at the complexity of vision that Dostoevsky brought to the page. My copy of the book is littered with page numbers written in the margins that connect the dots between all of the recurring scenes, ideas, images, phrases, and philosophies. It has taken years of sustained thought to be able to draw all of these connections, which makes it somewhat unbelievable that Dostoevsky was able to write it in the time frame that he did. Because of this, though, I have found this translation to be the only reasonable choice for the serious student. Many earlier translations ironed out potentially awkward phrasings, and thereby destroyed the parallelism that was being masterfully established.I have shed so many tears on the pages of my copy of this book that I am surprised it is still holding up as well as it is. There is a sensitivity and beauty to this text that I have never been able to find anywhere else, even in other works by Dostoevsky. It is, quite simply, the most masterful examination of agape (active love), faith, and justice, and redemption that I have ever encountered in my life, in philosophy, history, literature, film, or otherwise. There are no words to offer that can capture how profoundly this book has changed me for the better.
Most people know that The Brothers Karamazov is an amazing novel, so I will only be criticizing the translation; however, I haven't read any other translations to verify my knowledge on the subject, and I would suggest going getting samples of different translations in order to best suit your needs.The Richard Peaver & Larissa Volokhonsky translation of The Brothers Karamazov is good. It's being marketed as the best, but it really isn't. There is not a 'best' translation of Dostoyevsky, or really, any other Russian author I've researched; no, there isn't a 'best' translation of a book that I know of. To my understanding the Peaver translations usually stick incredibly close to the original source material, which is a double edged sword; most people want a translation that doesn't loose something or other in translation. This one is very close to doing so, but as I said it's a double edged sword; they leave in the syntax, and a very foreign syntax at that. This can cause problems for a casual reader, but it wasn't a problem for me. What really matters is the readers personal preference. I will add the first sentence of the P&V, McDuff, and Garnett translations to see which one you'd most like:"Alexei Fyodorovich Karamazov was the third son of a land owner from our district, Fyodor Pavlovich Karamazov, well known is his own day (and still remembered among us) because of his dark and tragic death, which happened exactly thirteen years ago and which I shall speak of in its proper place." - P&V"Aleksey Fyodorovich Karamazov was the third son of a landowner in our district, Fyodor Pavlovich Karamazov, so noted in his time (and even now still recollected among us) for his tragic and fishy death, which occurred just thirteen years ago and which I shall report in its proper context." - McDuff"Alexey Fyodorovich Karamazov was the third son of Fyodor Pavlovich Karamazov, a landowner well known in our district in his own day, and still remembered among us owing to his gloomy and tragic death, which happened thirteen years ago, and which I shall describe in its proper place." - GarnettMoving on to the edition I have. It's ISBN is 978-0374528379, but it is the best selling edition as of 8/1/2017; you probably won't have any trouble finding it. This paperback is a great durable edition. I kept it in my backpack for school each day for basically the entire second semester without too much serious wear (check the photos to judge yourself). The font is big enough to read well without straining your eyes... or at least it was for me. It's still holding together nicely is what I'm trying to say. The binding is glued, too; if you didn't know. This edition has a cover in which I will describe as rough-soft feeling; I enjoyed holding it in my hands.Finally, sorry for the poor camera quality. The soda can piece is there to show how big the text is in comparison. The torn piece on the back is from a mishap I am accountable for not the book, although it says something about the books durability; it happened near the end of my usage with it.
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