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“A heady admixture of explosive plot and taut, burnished prose . . . Mesha Maren writes like a force of nature.” —Lauren Groff, author of Florida In 1989, Jodi McCarty is seventeen years old when she’s sentenced to life in prison. When she’s released eighteen years later, she finds herself at a Greyhound bus stop, reeling from the shock of unexpected freedom but determined to chart a better course for herself. Not yet able to return to her lost home in the Appalachian Mountains, she heads south in search of someone she left behind, as a way of finally making amends. There, she meets and falls in love with Miranda, a troubled young mother living in a motel room with her children. Together they head toward what they hope will be a fresh start. But what do you do with your past—and with a town and a family that refuses to forget, or to change? Set within the charged insularity of rural West Virginia, Mesha Maren’s Sugar Run is a searing and gritty debut about making a break for another life, the use and treachery of makeshift families, and how, no matter the distance we think we’ve traveled from the mistakes we’ve made, too often we find ourselves standing in precisely the place we began.
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Product details
Paperback: 336 pages
Publisher: Algonquin Books; General edition (October 8, 2019)
Language: English
ISBN-10: 161620981X
ISBN-13: 978-1616209810
Product Dimensions:
6 x 9 inches
Shipping Weight: 1.1 pounds (View shipping rates and policies)
Average Customer Review:
3.4 out of 5 stars
30 customer reviews
Amazon Best Sellers Rank:
#2,180,714 in Books (See Top 100 in Books)
Sometimes a novelist stuns the reader not by experimenting with form, not by expressing some previously unfathomed idea, but by finding new characters who have a story yet to be told.Sugar Run is one of those novels. Ostensibly a girls on the run adventure about two damaged women trying to rebuild their lives on ancestral land, it is most successful at simply narrating what life is like for those who proverbially slip through the cracks of respectable society.A glance at the TV menu makes you think that Americans prefer their characters, even in the most obnoxious of reality shows, to be from the privileged classes. If the lower classes do appear it is as trashy characters so that we can all feel superior.What makes Sugar Run distinctive is to make the protagonists the type of people most Americans would rarely see, still less get to know, and make them sympathetic to all but the hardest heart. A teenage runaway, in prison for murdering her older lesbian lover, reveals a desire for rootedness, mothering and need to be seen as she really is inside. Another character escapes with pills following the pattern she has shown her whole life: always trying to escape from home, never reaching the promised land.If the above seems a little too much like the Dostoevskian prostitute with a heart of gold, it isn’t. Where Dostoevsky uses somewhat cliched characters to make his philosophical points, Maren is more interested in simply exploring the depths of her characters and narrating their story.And what a story it is. Set in rural Georgia and West Virginia, the story rolls from one adventure to another. Although some of it is retrospectively unbelievable, the terse prose and original narration makes one suspend disbelief and want to keep turning each page.If you want something genuinely new that at the same time preserves the traditional form of the novel you cannot go wrong with Sugar Run. Crisp prose, sympathetic characters and old-fashioned storytelling all make for an impressive debut novel.
A sugar run is a poker player's version of a winning streak. "Just one night, with one sweet sugar run, and you're hooked," says Paula, an astonishingly gifted player who walks into back rooms all over the Midwest smiling sweetly as she scoops up money from the local rednecks.Paula is the first of two lesbian lovers of Jodi, the protagonist of this gritty tale. Her story takes place in 1988, and the second lover, Miranda, inhabits 2007. In between, Jodi serves 18 years in Jaxton Federal jail for the (accidental?) manslaughter of Paula. The book interleaves the two timeframes in a way that I didn't find very useful or particularly illuminating.Just about every character in this book could be described as "a low-life, feckless and reckless" (Question: can anyone be feckful or reckful?) Motel rooms, honky-tonk barrooms and gas stations are their natural milieu, and they may be permanently broke (except the talented Paula) but they always seem to have enough for smokes of two kinds, pills of many kinds, and booze. Jodi's piratical brother Dennis has access to much stronger stuff, and wants his big sister to hide it for him on her dead grandmother's property in West Virginia. Jodi expected to inherit the spread, and she's made the trek to this bucolic setting along with Miranda, Miranda's three kids, and Miranda's (also feckless) brother. But après-prison life turns out to be far from a sugar run. She finds that the land has been sold to pay taxes while she was in prison, and the fracking crews are closing in, making the local tap water flammable and lighting the night skies with their flare-offs.It's a very good set-up, but we never actually find out whether Jodi gets the land back, or whether she ends up back in custody after flagrantly violating the terms of her supervised release. Loose ends spray out in every direction, and the closing scenes seem to have been written with the movie rights in mind.This is a first novel, and it's undeniably impressive but way too long. The editor in me was itching to reduce its 336 pages (paperback edition) by 20%. However, it's a tribute to the writing style that I read it all through without skipping. I liked it best when the author was being direct, describing the various misbehaviors of her characters, but much less when she was scene-setting. She seems to think things are best described by their smells, so she gives us, among other flavors, "dust, cigarettes, and lemon-oil cleaning spray," "fast food and anxiety" (that one describes the sweat of one of Paula's poker-table victims,) "urine and curdled milk," "fish and diesel fumes," "farts and old flowers," and finally "The air tasted of dirty sugar and gasoline" (at a country fair.) To me, that's a dog's view of the world.
You know how in young adult horror movies you want to scream at the screen "No, don't go to the attic-basement-barn alone!" This book had me similarly ready to knock pills out of characters' hands, run a broomstick down the bar spilling all their drinks and puncturing their tires so they couldn't wreak havoc on anyone else. It pushes every "suck it up, buttercup" button I've got.There are books that inspire empathy with abused, misguided, down-trodden, disadvantaged characters. This isn't one of them. There are books that evoke the individual's struggle against corporate environmental rape (Here delivered as fracking). This isn't one of them. Even the children in "Sugar Run" are unsympathetic.Maren is a highly skilled author. But this is just a mess.
This is a disjointed book that jumps from place to place and back and forth over 20 years. The characters are remarkably unsympathetic. The ending was abysmal. I would normally be annoyed with an ending like this, but i was so happy it was actually over. There is not one character you can root for. Not one that makes a good/ sensible choice. I get that the author is trying to portray Appalachia, but my god every person can't be this messed up from there.
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